Nota bene: If you have any suggestions of trailers to possibly be included in this column, even have a trailer of your own to pitch, please let me know by sending me a note at or look me up via Twitter at Jingle All the Way 2 Trailer – This looks positively wretched and I'm sure it will sell insanely well with the infirm and those lacking sound judgement. The tears, the frustration, the hard work, you can't fake that and, thankfully, nothing stands between us and feeling that moment when you get that what you're seeing is the hustle of kids who are trying to make their dreams come true through music. Anyone with a good sense of putting puzzle pieces together can see that the music that plays to the moments of kids making their way through a concrete jungle are there because they're talented but not are not necessarily from any great means. The moments we're given, the music that plays, you have to work in deciphering what's the real story happening before our eyes. And, like a person being shoved into a dark closet, we have to use our other senses to make reality out of what's left. Not really nothing, per se, but we're not given any narrative structure about what we're seeing. What you have here is sixty seconds of nothing. The trailer tiptoes down that line and does it admirably. These are the kind of valid volleys that, if in the right hands, like what Tony Kaye's Lake of Fire did on abortion, you can actually have a dialogue about what ills society without either party feeling drowned out by the other. When it comes to the regulation of guns and how we ought to classify the nature of gun ownership a quick point is made that all the other rights we have under the Constitution of the United States come with strings attached while we get an opposing view on what does a deranged individual have anything to do with someone's right to gun ownership. The moments we're given in this tight trailer are actually allowed to breathe a little bit while we orient ourselves on the nature of what we're all here to talk about. What is great about the trailer, though, is how she balances the message of what people have to say, and what they feel, about this issue. A sweet ode to a time that has gone past, it looks like this is a little monster of a documentary that will show you exactly why these bands had the influence they did on so many musicians that are rocking hard now.ĭirector Jessica Solce just has to know there would be no easy way out of this. We blast right through the whys and hows while getting a feel for the world Crawford is trying to create.

The trailer does an excellent job in establishing where we are, why we're here, and then slipping Dave Grohl into the mix to impart the impact of what we're about to witness. Big ups to director Scott Crawford, then, for bringing into sharp focus the geography, the ground zero, for many of these bands who saw the cradle of democracy as the perfect epicenter for raging against the machine that was politics. While my knowledge and experience with punk rock started and ended with just the names that any suburban kid would have casually come across (The Dead Kennedys, Black Flag, Bad Brains) I never owned any of their music nor ever fully appreciate the message of their art. While the donation bucket has long since passed to make this documentary possible, the information conveyed in a couple of minutes is poignant while also contextualizing the paths down which many gay men have had to walk in a life already fraught with anxiety. It's a social examination that I don't think has been done before and the trailer is completely engaging in the way it sets up why this issue, which might seem completely innocuous, is a very relevant to a community of people who are only now getting the kind of legal benefits that have so long eluded them. Such a lot of fuss over a few extra s's.' Director David Thorpe looks like he's going to get to the bottom of this social phenomena and seeing David Sedaris, Tim Gunn and George Takei this seemed to be less about his own personal quest but a journey with many other men who have had to hide or try and alter their speech in order to pass, socially. To wit: 'People make fun of me because I lisp. When I was in my formative years I looked up to comedians like Scott Thompson of The Kids in the Hall who once schooled me on the subject of gay men and lisps.

Trailer the big salad